To compile the list I usually go through all of my social media platforms from the entire year and I pick out the moments, later finding images and doing research (into my own life, which is strange and revelatory each time) about each to make sure they're accurate. The process usually takes longer than a) I think it will and b) than most of my blogs do, but it's the only year-end, or rather year-beginning, list I do so I might as well go big, no?
That being said, here they are. Enjoy!
The first time I saw it, it was a tiny little note on my Facebook page, but I don't think I made anything of it. Like everyone else, I get a lot of invites to a lot of events (and I send a lot of them myself). But then it was a link sent from HanOre via Facebook messenger. Did I want to go see a Broadgay, comedically staged, all-gay male retelling of an episode of Sex and the City? While I'm not the biggest Sex and the City fan, I live for a good gender bending every day of the week, not to mention one of my favorite performers and writers, Joel Kim Booster, would be playing Samantha. Yes. I was in.
|Brandon Scott Jones as Carrie, Julio Torres as Miranda, |
Sam Taggart as Charlotte, Joel Kim Booster as Samantha
I had the pleasure of photographing the second Broadgay in August at Littlefield in Brooklyn, as well, with the same results. I had to, at points, prevent myself from rolling out of the chair and clutching my stomach in the beautiful agony of laughing so hard. And if you are in New York on February 25, 2016, there is no place else you should be than at Littlefield for what will likely be yet another evening of Broadgay brilliance. Tickets are only $8-10, and can be purchased here.
|MV holding up RD's brownie birthday cake|
If you told me I would end up behind a tree in on a weekend in June to celebrate RD's 30th birthday, that would have been okay with me, honestly. SA and MV had planned the event, a surprise party unofficially called "RD's Dirty, Flirty, Squirty 30," for months, making sign-up sheets for bringing things, sending out e-vites, securing a plot of land in Central Park with the Parks & Recreation department (!), assembling RD-related bingo, making bagged lunches for everyone (!), buying decorations, and so much more. They really did an incredible job, too, because when he showed up and tons of his friends were jumping out from behind a tree yelling surprise, he had absolutely no idea. We sat in the park all day until it got dark, laughing and talking and playing games, eating sandwiches, sipping from juice boxes, and occasionally snuggling with a giant inflatable stegosaurus someone had brought.
I would say I have a love/hate relationship with Middle America, but it's mostly just a hate relationship. Typical suburbia--with its chains and parking lots and manicured gas stations--is the stuff of my nightmares. So when we were going to out to Medieval Times in New Jersey for SA and MV's joint birthday party, I was skeptical to say the least. I knew it would be rife with screaming children and tourists at the worst, historical inaccuracies at best, phrases like "ye olde" tacked onto things that wouldn't be invented for another 500 years, like plastic cups, photo booths, and light-up princess crowns. I was not wrong on either account, and when I walked in I needed a drink. It was...a lot of stimulation, a lot of light up swords, a lot of The King's Olde Photo Shoppe. But after ye olde chardonnay in ye olde plastic cup, I was having a great time. I cheered loudly for our knight in the jousting tournament, I happily dug my hands (because there was no silverware in medieval times, apparently?) into the giant turkey leg offered to us, I booed the bad knights, cheered for the good ones, and ambled through the torture chamber with glee. I chuckled at the placemat that begged me to call 1-800-WE-JOUST if I wanted more information for my corporate retreats. I left full and happy and just a little drunk, passing out on the air mattress at SA's house, the reigns of my urban snobbery loosened, at least for the evening.
The first time I went to Buvette, it was a hot Saturday night in early September. I had been working all day and needed desperately to get out of the house. I texted SJT: Did he have plans? Miraculously, he did not, and we resolved to meet for dinner. I had heard about Buvette on more than one occasion, and it was supposed to be excellent: French tapas and small plates by chef Jody Williams hailed by regarded publications like The New York Times, Conde Nast Traveler, and Bon Appetit. Surprisingly, the menu is reasonable, as well. Would SJT want to give it a shot with me? He did.
That evening, around 8:30, we strode into Buvette in the West Village and, another miracle for the evening, were able to find two open seats together at the bar. The doors were open inviting the still-summery warmth into the restaurant. SJT was wearing shorts, which made me feel glamorous being with him: only a certain kind of person has enough grace and style to make shorts look perfectly elegant while in what's considered a high-end (yet still low-key) bistro/cafe of sorts. Get on my high-end shorts and gold-wire-rimmed glasses and polka-dot tote bag level, his visage seemed to say to anyone in the vicinity.
We started with glasses of rose, then made our way through foie gras with cornichons, then tartinettes topped with anchovies (he) and walnut pesto (me) sharing bites along the way, and finally sharing a dense, rich chocolate mousse topped with homemade whipped cream for dessert. It was a perfect, petite summer meal Ina Garten would have loved. We ended the evening with cocktails at the Duplex, a gay bar not too far away on Christopher Street, laughing and singing Eve into the night.
The Broadway show Hamilton is virtually impossible to get tickets to for the next millennium, probably, but by the good graces of SD, I was able to score a ticket via an offer at her company. I had been excited to see it for ages, not just because of its amazing press but because my dear friend SW was the show's Beatmaster and had been with the production from the beginning, when it was still called The Hamilton Mixtape and when it was first making waves at The Public Theatre. Most of our friends had seen it already, singing its praises over and over, and it was finally my turn. By this time, I could have watched clips of it online or heard parts of the soundtrack or what have you, but I very actively made the decision not to do any of that. I just wanted to walk in and have a story told to me. I was not disappointed.
There were so many things I loved about Hamilton, but my favorite thing was the storytelling. There aren't a lot of fancy set changes or anything, but you don't need them: just by the way the show is written and rapped through by its diverse cast, you can see and experience what the characters were feeling along the way. To quote The Producers, a Broadway show can have lots of "dopey showgirls in gooey gowns," but if you can tell an amazing story without them, the work you've done is that much more powerful. I could say so much more about it, but you should really just get tickets as soon as you can, even if the first available date is in 2017 (which, at this point, it might be).
After the show, SW was kind enough to take time out of his evening to take me onstage, where I was able to see the set up close, meet some of his colleagues, and ask him infinite questions about the show. Kerry Washington was backstage casually talking to Lin-Manuel Miranda about how much she loved it. I got to see all the costumes lined up for props and changes, and some of the cast were onstage talking to their friends in their street cloth
es, that is to say their non-revolutionary gear. SW and I took the train uptown, talking more about the show. I feel privileged to have seen it, and my belief and hope is that it will change the face and focus of American theatre going forward.
here on Impose magazine.
We're going OUT
|SC and EH at The Ritz|